World premiere of a new chamber opera by Robert Hugill & Joanna Wyld, conductor William Vann.
The graves belong to the Dead, who once invaded the land in which they lie. Tensions rise between three generations of family who look after war graves in a politically divided region.
Sunday Assembly London is part of a global community that celebrates life, and everyone is welcome to join us.
A free evening of life-affirming, secular comedy and singing, celebrating ten years of the London Humanist Choir.
Conway Hall favourites the Maggini Quartet open our Autumn 2019 season with a wonderful mix of 1940s Paris chic and supreme craft from Berkeley between two great works from the classical repertoire.
Following their wonderful performance at Conway Hall in September 2018, I Musicanti make a welcome return in an all Beethoven programme, as a prelude to Beethoven’s upcoming anniversary year.
Clarinettist Peter Cigleris joins the Tippett Quartet to present two works from two conflicting schools of British composition alongside one of the greatest in the genre that kick-started the English clarinet quintet.
Founded in 2013 by three Dutch performers, the Delta Piano Trio have won numerous international awards. This performance for Conway Hall flanks cutting-edge twentieth and twenty-first century works for piano trio with German classics for the ensemble.
The up-and-coming Piatti Quartet make a welcome return to Conway Hall, joined by Director of Music Simon Callaghan to perform Shostakovich’s Piano Quintet
In a rare UK performance, Trio Concertante perform three of the most popular works for piano trio, culminating in the symphonic first trio by Johannes Brahms.
The unusually dissonant introduction to Mozart’s Quartet K465, dedicated to Joseph Haydn, opens a colourful programme of works for string quartet, spanning almost 150 years and featuring Janáček’s 1923 work inspired by Tolstoy’s novella.
For their Conway Hall début, this duo come together in a programme of Russian and Belgian works for viola and piano, culminating in one of César Franck’s best-known compositions, originally for violin and piano.
Mozart was among the first to explore the piano quartet, and it is his graceful E flat quartet that opens this concert.
